There is something of the Mona Lisa in Lauren Conrad’s signature half-smile, hovering between certain boredom and smug knowingness. We’d just never realized it until last week, when we heard that The Hills are alive again, and in portraiture? No kidding: Karin Bubaš (karinbubas.ca), a Vancouver artist known for photographic work, has created a whole series of drawings of TV’s favourite California girls—mascara running, collagen lips trembling, looks killing from across da club.
This is pop art for a post-pop-art generation. Or, if you took philosophy instead of art history, think of it as a Baudrillardian hyperreality show: the soft-focus simulacra of already-simulated lives, those long female gazes drawn out, then re-drawn out in pretty pretty colours. Meta, in pastels.
Before this, Bubaš did a watercolour series based on the trashtastic ’80s soap Dynasty. But it’s not bad acting that compels her; rather, she tells us, “there’s a raw emotional beauty that makes for interesting study.”
She was also inspired, while in Paris last fall, by Le mystère et l’éclat, a “fantastic pastel show” at Musée d’Orsay.
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